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Big River: The Adventures of Huckleberry Finn
Opens at The Western
Stage in October
The Western Stage continues its 2006 season October 7th
with Big River: The Adventures of Huckleberry Finn. Join Huck and Jim as
they sail to freedom on the mighty
When Big
River: The Adventures of Huckleberry Finn premiered at the Eugene O ’Neill Theatre
in 1985, few probably could have predicted the phenomena Roger Miller and
William Hauptman’s musical adaptation of Mark Twain’s classic novel would
become.
Originally
conceived as a showcase for country singer/songwriter Roger Miller, Big
River enjoyed an impressive 1,005 performance run, receiving seven Tony
Awards including Best Musical, Best Score for a Musical, and Best Book for a
Musical as well as seven Drama Desk Circle Awards.
On October 7th,
The Western Stage opens its own production of this truly American musical under
the direction of Artistic Director Jon Patrick Selover. With music ranging in
style from gospel to folk, Selover says Miller’s score and lyrics present a
great cross section of American music.
The marriage
of Roger Miller’s music with Mark Twain’s uniquely American story about a boy
and a runaway slave sailing to freedom down the
"We were
dirt poor," he once said. "What I'd do is sit around and get warm by
crawling inside myself and make up stuff... I was one of those kids that never
had much to say and when I did it was wrong. I always wanted attention, always
was reaching and grabbing for attention."
Eventually,
Miller’s craving for attention was most definitely satiated. By the time of his
death in 1992, he had recorded thirty-two albums—which included such memorable
songs as “Invitation to the Blues”, “King of the Road”, “Dang Me”, and
“Chug-a-lug”—and won eight Grammy Awards, not to mention the Tony Awards he
received for Big River’s music and lyrics.
Yet, does this
hundred and thirty year old story still have resonance for us today?
It does for
Sean Evans, the
“There is a
whole political tide right now toward taking whole groups of people and
dehumanizing them,” says Evans. “People are the same everywhere. Muslim fathers
love and miss their children just as much as anyone.” Evans says the story of Huckleberry
Finn reminds us that freedom should not be an abstract notion, but
something that is guaranteed no matter race, color, or religious affiliation.
(For more, see profile on Evans)
With songs
like “Do You Wanna Go to Heaven” to “Muddy Waters” Big River: The Adventures
of Huckleberry Finn promises to take audiences on a journey through
American history, music, and morality. (For more on this history of the book,
see supplemental article)
Big River:
The Adventures of Huckleberry Finn plays on The Western Stage’s main stage through October 28th. Performances are Fri. and Sat. at
Also mark your
calendars for the last two shows of TWS’ 2006 season. In late October, the
still timely American classic Inherit the Wind opens in the studio
theater followed in November by the always rousing musical extravaganza Oliver!
on the main stage.
Dan Tarker
Literary Associate
This musical re-creates many of the
scenes and characters from Twain's epic novel, often using Twain's exact
words. Parents be advised that Twain was
revered (and reviled) for preserving the colloquial slang and racial epithets
of his time, and the language is likely to offend some viewers. But the musical and the novel both serve
Twain's purpose of pointing out the evils of slavery, greed, corruption and
hypocrisy through the innocent eyes of the novel's Midwestern protagonist.